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What a Beauty /  Lautgedichte /  Ursonate
  • Composers: Kurt Schwitters
  • Label: Wergo Germany
  • UPC: 4010228631326
  • Item #: SRD286313
  • Genre: Classical
  • Release Date: 1/11/2005
CD 
List Price: $20.99
Price: $15.07
You Save: $5.92 (28%)
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Description

What a Beauty / Lautgedichte / Ursonate on CD

Kurt Schwitters (b. 1887) was an exceptionally gifted reciter and lecturer - although less as someone who forms language than as someone who deforms it. As an artist-clown, the bourgeois Schwitters was capable of giving free rein to his anarchistic and chaotic tendencies. Tearing, bending, covering, overpainting: what Schwitters said about his "Merz painting" can be applied as a deforming and deformulating in the poems published during the same period, among others the "Ursonate". As a performing artist he took the goals of the modern architect, "light, air, and sun," and added another, laughter: "Merz is the smile at the graveside and the seriousness at amusing events." The members of the ensemble Die Schwindlinge (founded in 1985) have, above all, presented programs with Kurt Schwitters and hits of the 1920s to 1940s.

  • 1 What a B What a B What a Beauty 
  • 2 Ribble Bobble Pimlico 
  • 3 From Dawn to Dark 
  • 4 Anna Blume 
  • 5 Gro Liebe 
  • 6 Gedicky Aus Norwegen Fma 
  • 7 Norge 
  • 8 Die Buchf Beim Kleinen Handwerker 
  • 9 Bii B4LL Ree 
  • 10 Drei [Dynamikfassung] 
  • 11 Bii Bill [3 Versionen] 
  • 12 Bel Au Hau [2 Versionen] 
  • 13 Altes Lautgedicht 
  • 14 Der Floh Im Ohr 
  • 15 Wenn Mir Einer Sagte 
  • 16 Es Waren Einmal Sieben Damen 
  • 17 Sie Puppt Mit Puppen 
  • 18 Keine Rose 
  • 19 Banalitn Aus Dem Chiesischen 
  • 20 Die Zute Tute 
  • 21 Boo 
  • 22 Naa [2 Versionen] 
  • 23 Doof [3 Versionen] 
  • 24 Die Wut Des Niesens 
  • 25 Einleitung Und Erster Teil 
  • 26 Zweiter Teil: Largo 
  • 27 Dritter Teil: Scherzo 
  • 28 Vierter Teil: Presto 
  • 29 Drei [Metronomfassung] 
Kurt Schwitters (b. 1887) was an exceptionally gifted reciter and lecturer - although less as someone who forms language than as someone who deforms it. As an artist-clown, the bourgeois Schwitters was capable of giving free rein to his anarchistic and chaotic tendencies. Tearing, bending, covering, overpainting: what Schwitters said about his "Merz painting" can be applied as a deforming and deformulating in the poems published during the same period, among others the "Ursonate". As a performing artist he took the goals of the modern architect, "light, air, and sun," and added another, laughter: "Merz is the smile at the graveside and the seriousness at amusing events." The members of the ensemble Die Schwindlinge (founded in 1985) have, above all, presented programs with Kurt Schwitters and hits of the 1920s to 1940s.